Little Black Book

Navigating Nashville's Music Scene

by Wyatt Anders

"That's why those old photographs of the Ryman are so powerful.  Those fans who came to the Opry weren't mere tourists who hit Nashville this year and maybe Charleston next summer and Disney World the following year. They were pilgrims, and their faces were full of longing to be inside this holy spot they had come some distance to witness."

— David Eason, author of country music tome
Nashville's Lower Broad

The Grand Ole Opry is back at the  for a spell. For those just blowing into town, the Ryman is our capital of culture and surrounding Broadway the city center. And if you know anything about the history of country music in Nashville, the Opry's return is a reason to rejoice. Will Rogers lassoed on that stage. Hank sang. Bill Monroe, Chet Atkins, and a thousand more thrilled. The idea that a pilgrim can still hold a séance downtown with old purveyors of revelry and mirth is a pleasing thought.

Gentedimontagna asked me to put together an article on the honky-tonks of Lower Broad. So much of the old spirit and creativity has left the block that, as David Eason explains in , such an article is no longer a useful proposition. We'll peek down Broadway, but not dwell too long. Nashville has long been a Big Top for country music where tourists herd in and out, communing with the dead and dying. Today, the tourists are trapped and few gods remain.

Thankfully, under the neon boot of , you'll find a legacy intact, a nightly tribute to the old-time, honky-tonk crooners. Though don't be surprised when a star like Wanda Jackson shows up for a quick set or you catch wind that Greg Garing's back in town, aiming to start "a little Lower Broadway revival." Robert's is the only honky-tonk left worth visiting.

Across from Robert's stands . Every Saturday after the Opry, they host the Midnight Jamboree. If you'd care to sit in on the program, they tape live at the at midnight. It's off Broadway now, but the show is still an institution, nearing 3,500 broadcasts. And, of course, daylight hours are well spent at .

I slipped in Bill Monroe as a reminder. What he started carries on at , an old stone hut rendezvous for bluegrass players and their fans. Once or twice a month you can catch a goofy-eyed send-up of country music called .

Let me end with a few thoughts on the rest of Nashville's music scene. That old marketing line about Music City, U.S.A. is more than ever a legitimate boast of city boosters. The colony of musicians is swelling, innovating on genres, defying conventions, and expressing themselves as freely and sincerely as any musicians have before. These are good days in Nashville.


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-  singing "Hard Headed Woman"
-  killing it on the guitar
-  keeping it classy and twangy